I think every writer/artist has that one story/drawing that gets completely skipped over, and they’d never say it aloud, but inside they’re like
'fuck all y'all, that's one of the best things I've done'
plus one story/drawing that everyone loves
'really? that one?'
apparently this rant has struck a chord with people jfc
this is getting ridiculous
This is so true! This should be a meme.
Nope. But the real story is better. Bolding mine:
The late Ruth Thompson, a cell painter on “Snow White” who later became a multiplane scene planner, recalled: “We tried everything - airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.”
The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed.
Again Ms. Thompson: “Someone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.”
Ever since the mid 30’s when color became the norm for all the cartoons, not just the “Silly Symphonies,” all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald’s special blue color was made with a dye added to the usual powdered pigments. “So we tried that.” As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.
Among the studio’s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most “holy of holies” area of the Nunnery, as the Ink and Paint Department was so called (Walt had strict and quite Victorian views that the sexes not mingle at the workplace, allowing no male personnel save the “gofer” boy and the paymaster “Mr.” Keener to enter this domain of mostly unmarried women ). But Helen was in addition a very fine cartoonist and one of the few women at Disney’s or anywhere else, who could animate.
Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention (she, as well as the other inkers and painters, was given no screen credit). But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from “Snow White,” most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen.
The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.
Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the ‘registration’ right (the spot of red just right in relation to the preceding and following ones) - all of this without any guide. She would work out her own extremes and then ‘animate’ the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime “Snow White” would require - all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward.
She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her. She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both “Pinocchio” and “Fantasia”). None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.
Also, here’s an interesting article about female cel painters at Disney. I am now fascinated by the idea of writing something with a Depression-era cel painter as a protagonist.
one of the most adorable moments in the series
Beast boy and cyborg drop everything to make sure that Starfire is comfortable telling jokes. They don’t care that they missed the context, laugh along to make her comfortable, then proceed to make asses of themselves JUST so she can have a good laugh too and feel like she BELONGS.
And that is one of many examples of why the original teen titans series was seriously well fucking written as it showed a very HUMAN kind of emotion, feeling like you don’t fit in and watching a joke go wrong and people not finding you funny, then getting to laugh because the people you chose to open up to were caring enough to make fucking sure you felt like you belonged just for a bit.
The new IOS8 update contains an app named Health which CANNOT BE DELETED.
The app allows you to choose which aspects of your health you choose to monitor, but available categories include “Body Measurements”, which includes body weight, and “Fitness”, which contains sections for calories consumed and calories burned.
While this may be useful for those looking to monitor their fitness, it could be triggering and harmful to those suffering with or in recovery from eating disorders, especially in sufferers with obsessive compulsive tendencies they find it very hard to abstain from, such as calorie counting, body measuring and weighing.
Whilst of course the app cannot force you to use it, it cannot be deleted, so will be present within your apps and can be a source of feelings of temptation to record numbers and of guilt and judgement for not using the app.
If you personally feel you could not emotionally handle the presence of this app, and it would be detrimental to your recovery, please do not download IOS8. I do not know if a new IOS can be avoided permanently (if anyone has any information on this please do add it to the post), but if it cannot then please use the time you have to prepare yourself for the app, and to reinforce reminders that you do not have to calorie count, you do not have to weigh yourself, you do not owe proof of exercise to anyone, person or app.reblog this please - it is so incredibly shitty of apple to do this
If you do want to download the new IOS but want to avoid the app, consider tucking it on a separate screen away from all your other apps, or create an “unused” category and toss it with the stocks app or something. Hopefully out of sight will eventually become out of mind. Take care of yourself.